商品説明※アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。New sealed 180 gram vinyl. Clics Modernos is the second studio album by Argentine singer and multi-instrumentalist Charly Garca, released on November 5, 1983, with the participation of Pedro Aznar, with whom he had already worked together in Ser Girn, as well as sound engineer Joe Blaney. Considered the best fruit of his career, it includes references to the Argentine civic-military dictatorship that existed until shortly before the album's release, with lyrics characterized by their sarcastic and humorous tone. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s and later. The album title comes from the album cover art.The album was self-produced and composed by Garcia and was recorded almost entirely at Electric Lady Studios in New York for a brief period. The music is primarily oriented towards the new wave sound, but some songs also incorporate elements of various pop subgenres.It appears in several lists of the best albums of all time in Latin America, among which were included those of Rolling Stone magazines. Side AA1Nos Siguen Pegando Abajo (Pecado Mortal)A2No Soy Un ExtraoA3Dos Cero Uno (Transas)A4Nuevos TraposA5Bancate Ese DefectoSide BB1No Me Dejan SalirB2Los DinosauriosB3Plateado Sobre Plateado (Huellas En El Mar)B4Ojos De Videotape
(Charly Garcia - Clics Modernos (New 180 Gram LP Sealed Vinyl))
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商品説明※アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。New sealed 180 gram vinyl. Clics Modernos is the second studio album by Argentine singer and multi-instrumentalist Charly Garca, released on November 5, 1983, with the participation of Pedro Aznar, with whom he had already worked together in Ser Girn, as well as sound engineer Joe Blaney. Considered the best fruit of his career, it includes references to the Argentine civic-military dictatorship that existed until shortly before the album's release, with lyrics characterized by their sarcastic and humorous tone. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s and later. The album title comes from the album cover art.The album was self-produced and composed by Garcia and was recorded almost entirely at Electric Lady Studios in New York for a brief period. The music is primarily oriented towards the new wave sound, but some songs also incorporate elements of various pop subgenres.It appears in several lists of the best albums of all time in Latin America, among which were included those of Rolling Stone magazines. Side AA1Nos Siguen Pegando Abajo (Pecado Mortal)A2No Soy Un ExtraoA3Dos Cero Uno (Transas)A4Nuevos TraposA5Bancate Ese DefectoSide BB1No Me Dejan SalirB2Los DinosauriosB3Plateado Sobre Plateado (Huellas En El Mar)B4Ojos De Videotape
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